Storyboards for Story Tellers

​​The art of the storyteller, like Scheherazade, is to sustain interest. The art in a storyboard, such as Sani Al Molk’s One Thousand and One Arabian Nights, walks the listener through the plot. In a collegial chat with another executive, I wondered if more executives would become fluent in office tools, document editors, and presentation design. It’s not that the expensive time of the executive should be consumed with points and clicks of a cursor’s floating movement, but the tool does force a disciplined approach to developing the story. And for all the contemporary contrarianism, the storyboard is still invaluable. Some stories are not necessarily sequential, but the presentation it

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